Carmen Suite No. 1 [Saxophone Orchestra]

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Package Options
Package Contents Available
Standard Set Includes a full score and all required parts. Suitable for a wide range of rehearsal and performance situations.
(Contents: 1 full score, parts)
Yes
Minimum Set A cost-effective option containing only the essential parts.
(Contents: parts)
Yes
Premium Set The ideal option for performers who wish to own a full score individually, allowing every member of the ensemble to study the complete musical structure.
(Contents: full scores for the number of performers, parts)
Full Score A full score for conducting, teaching, and study, allowing the entire musical structure to be viewed at a glance. Ideal for those who wish to deepen their understanding of the work. Yes
Parts Individual parts are available for purchase. Suitable for replacing missing copies or adding additional copies as needed. Yes

Please refer to the Instrumentation table below for the number of parts included in each package.


Carmen Suite No. 1 is a suite of particularly memorable instrumental movements excerpted from Bizet's opera Carmen. It consists of six movements: "Prelude," "Aragonaise," "Intermezzo," "Seguidilla," "Les Dragons d'Alcala," and "Finale (Toreador)." The suite showcases Bizet's outstanding orchestration through dance-like rhythms, lyrical and melancholic melodies, brilliant fanfares, and a wide variety of orchestral colors.

This arrangement seeks to reinterpret these qualities through the distinctive sonority of a saxophone orchestra. The saxophone family possesses a remarkably broad expressive range within a single instrumental family, from powerful and brilliant tones to warm, rich, and lyrical colors. Taking advantage of these characteristics, the arrangement has been designed to preserve the vivid orchestral colors and three-dimensional musical flow of the original while establishing a new and distinctive sound world.

In passages where the individual voices interact organically beyond their conventional roles of melody, countermelody, and accompaniment, the rich overtones and blended timbres characteristic of a saxophone orchestra bring new dimensions to Bizet's music. At the same time, the work's characteristic melodies and rhythms have been carefully preserved wherever possible, with particular attention paid to retaining its vitality, elegance, and dramatic tension.


Japanese Title Carmen Suite No. 1
English Title Carmen Suite No. 1
Instrumentation Saxophone Orchestra
Catalog No. YMDL-0013
Composer Georges Bizet
Arranger Yuto Yamada
Engraver Yuto Yamada
Duration 12:00
Year of Arrangement 2025
Performance Video YouTube
Digital (PDF) Score Coming soon


Instrumentation
Instrument Minimum
Set
Standard
Set
Premium
Set
Full Score 0 1
*Sopranino Saxophone in E-flat (Optional) 0 1
1st Soprano Saxophone in B-flat 1 2
2nd Soprano Saxophone in B-flat 1 2
*3rd Soprano Saxophone in B-flat (Optional) 1 2
1st Alto Saxophone in E-flat 1 2
2nd Alto Saxophone in E-flat 1 2
*3rd Alto Saxophone in E-flat (Optional) 1 2
1st Tenor Saxophone in B-flat 1 2
2nd Tenor Saxophone in B-flat 1 2
*3rd Tenor Saxophone in B-flat (Optional) 1 2
1st Baritone Saxophone in E-flat 1 2
2nd Baritone Saxophone in E-flat 1 2
*3rd Baritone Saxophone in E-flat (Optional) 1 2
*Bass Saxophone in B-flat (Optional) 0 1
*Contrabass Saxophone in E-flat (Optional) 0 1
Timpani (ad lib.) 0 1
Triangle (ad lib.) 0 1
Tambourine (ad lib.) 0 1
Snare Drum (ad lib.) 0 1
Cymbales, Bass Drum (ad lib.) 0 1
Harp (ad lib.) 0 1
  • This arrangement is designed for flexible instrumentation, ranging from a minimum of 8 players to a 12-player ensemble and a full saxophone orchestra.
  • Up to three parts are provided for each of the soprano, alto, tenor, and baritone saxophone sections. The 3rd parts are optional. Sopranino, bass, and contrabass saxophones are also optional. The basic concept is to have multiple players on each of the Soprano, Alto, Tenor, and Baritone parts, while allowing the number of players in each section to be adjusted according to the size of the ensemble.
  • Where chords are notated, the individual notes should be distributed among multiple players when more than one player is assigned to a part. When a part is performed by a single player, the upper note of the chord should generally be played. This allows the ensemble size to be adjusted without requiring changes to the score or parts.
  • Percussion parts are ad lib. (optional) and the music is designed to remain musically complete with saxophones alone. Percussion may be added as desired to create a more brilliant sonority and enhance the dramatic effect.

Printed scores may not be reproduced (e.g., by making additional copies for additional players or stands) without permission from the copyright holder. Please purchase the required number of copies.

Notes on Purchase
・This work is designed for an ensemble in which multiple players may perform the same part. If the number of performers exceeds the number of parts included in your package, please purchase an additional package or additional individual parts, where available.
・The work can also be performed in its minimum configuration, with one player on each essential part, excluding optional and ad lib. parts.
・If the number of full scores or parts is insufficient for the conductor, instructor, or performers, please purchase the required additional copies.
・If you have any questions, please contact us.


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